Dating about 30 years after Masaccio's paintings, we can see perspective being used to dramatic effect in works by Mantegna's fresco decorations. These were in the Ovetari Chapel in the Eremitani Church in Padua, but unfortunately were destroyed during WWII.
Notice the grid of the pavement. This type of a grid is known as an Albertian grid, as it was devised by Alberti.
Mantegna, St. James before Herod Agrippa, c. 1455
This painting is also interesting because the vanishing point in it was located in the frame between this painting and the one to its left, and was shared with that painting.
Perhaps his best-known surviving work, is his Wedding Chamber or Painted Room, which is a room in the Palazzo Ducale (Mantua) that he painted in 1474.
Mantegna, Camera degli Sposi, 1474; West and North Walls
Mantegna, Camera degli Sposi, 1474; Roundel
The perspective of all four walls and the ceiling are designed to be perfect when viewed from a single point in the room. The oculus (painted opening to the sky) is painted in dramatically foreshortened perspective. The perspective locates the a single point in the center of the room from which the observer's space blends the paintings on the four walls and the ceiling. His treatment of the oculus made it the most influential illusionistic ceiling decoration of the early renaissance.